As the painter needs his framework of parchment, the improvising musical group needs its framework in time. I bought my copy during Prime Day and the quality is outstanding. The spontaneous improvisation that resulted was magic! Therefore, you will hear something close to pure spontaneity in these performances. These artists must practice a particular discipline, that of allowing the idea to express itself in communication with their hands in such a direct way that deliberation cannot interfere. Look to other reviews for more nuanced analyses. Perhaps because this music never flaunts its genius.
This allowed us to gently guide the tape against the playback head to get optimal contact and fidelity. Perfect late night, low light listening too. This conviction that direct deed is the most meaningful reflection, I believe, has prompted the evolution of the extremely severe and unique disciplines of the jazz or improvising musician. Why does Kind of Blue possess such a mystique? Additionally, the spatial cues are 'wider' and you can hear the real physical depth of the sound stage of the Columbia Records 30th Street Studio. After exploring modes on , Miles recorded this all-time jazz classic which makes exclusive use of modes.
All Blues is a series of five scales, each to be played as long as the soloist wishes until he has completed the series. Seja achando versões maiores das capas, novas fontes de download ou links para os cd's mais difíceis. As the painter needs his framework of parchment, the improvising musical group needs its framework in time. All Blues is a series of five scales, each to be played as long as the soloist wishes until he has completed the series. The reissued version corrected an engineering flaw in the first three tracks, recorded on March 2, 1959 which caused them to be slightly sharp. The 30th Street Studio is considered by many to be the greatest recording studio in history, with a stunning acoustic space—100 foot high ceilings and a 100 foot floorspace for the recording area.
I do not fully understand what Miles Davis is doing with these compositions, but I like what I hear. A classic from the golden years of Cool Jazz. An upside to working from the archive files was the ability to chase the original fader moves done during the mix in 1959. They return because this is an exceptional band — Miles, Coltrane, Bill Evans, Cannonball Adderley, Paul Chambers, Jimmy Cobb — one of the greatest in history, playing at the peak of its power. . It is vastly superior to any digital version I've heard. Blue in Green is a 10-measure circular form following a 4-measure introduction, and played by soloists in various augmentation and diminution of time values.
Amazon should clearance these with a warning. At the first Kind Of Blue session one of the three track machines was running slow. Eles vão baixando faixa por faixa no emule, de fontes diferentes, montam o cd com a playlist original. Pianist Bill Evans describes in the original liner notes the brief guidelines they were given. I believe this is a counterfeit product from Amazon.
As a result the first three tunes always appeared in sharp pitch until this edition of the album. Miles Davis - Kind of Blue. Miles Davis presents here frameworks which are exquisite in their simplicity and yet contain all that is necessary to stimulate performances with a sure reference to the primary conception. Aside from the weighty technical problem of colective coherent thinking, there is the very human, even social need for sympathy from all members to bend for the common result. Now, you can hear it as if you were right there in the recording studio with the musicians! Famously, the players had not seen or played the pieces before they entered the studio.
This new hi-res version of Kind of Blue is a testament to the great and simple engineering of the day. This most difficult problem, I think, is beautifully met and solved on this recording. Miles had been part of the hard bop movement after leaving Bird, which simplified the chord progressions and complex harmonies of the original bebop. Miles Davis' legendary album, Kind of Blue, is considered to be the best jazz record of all time, as well as being both Davis' best-selling record and the best-selling jazz record of all time. Miles Davis presents here frameworks which are exquisite in their simplicity and yet contain all that is necessary to stimulate performances with a sure reference to the primary conception. This is the epitome of slow, cool jazz, miles from the fast, hot bebop sounds of Bird, Dizzy, Bud Powell and Max Roach.
Specifically, the trumpet appears to have gone through some sort of manipulation so that it - and the string bass - sound extremely muted and missing on certain chords. I was transfixed and thought it was the most beautiful and moving thing I'd ever heard. We constantly compared to an early pressing - mono and stereo - and worked bar by bar to duplicate the level moves on the three tracks to match as well as possible. This is standard weight, so strike 1. Some of the records recorded at 30th Street Studio include Pink Floyd's The Wall, Glenn Gould's Bach: The Goldberg Variations, Leonard Bernstein's West Side Story and the entire Masterworks discography of Vladimir Horowitz. It was about 10 years later before I was able to afford to buy the album and something decent to play it on. As Evans said in the original liner notes for the record, the band did not play through any of these pieces prior to recording.
This allowed us to gently guide the tape against the playback head to get optimal contact and fidelity. Miles Davis was inducted into the Rock and Roll Hall of Fame in 2006. All rights reserved by Columbia Records, a division of Sony Music Entertainment If you are looking for the mono version of Kind of Blue, click here. He mus paint on a thin stretched parchment with a special brush and black water paint in such a way that an unnatural or interrupted stroke will destroy the line or break through the parchment. Group improvisation is a further challenge. Kind of Blue is an album most have heard many times before in a wide variety of formats.